I take comfort in the good sure things. I try to slide past the bad.
Dries Van Noten's collections rank among the good sure things. This season the prints were moody landscapes. A spectrum of grays punctuated by sharp greens. The shapes, as they so often are in his shows, were tailored yet easy.
There was a direction and vision that could be felt throughout, but it was one not guided by the prevailing winds of the season.
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