There was a softer story being told at the
Gareth Pugh show on September 25th. The stark blacks and crisps whites that have featured heavily in his collections over the years were joined by colors that seemed to spring from the bleeding together of the two. The silhouettes, usually so strong and, at times, oppressive, had a touch of the languid to them.
They were markers of a slow evolution and a reluctance to stand still.
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