This season, I felt more carry over from New York than I have in past years.
The designers showing in London have always had a way with prints, so it was no surprise that the florals seen in New York continued to flourish there in a range of manifestations.
At Clements Ribeiro
At Erdem
At Caroline Charles
At Temperley London
At Matthew Williamson
At Christopher Kane
At Kinder Aggugini
And of course prints of other varieties could be found everywhere.
At Maria Grachvogel
At Paul Smith
At David Koma
At Jonathan Saunders
At Basso & Brooke
At Michael van der Ham
At Mary Katrantzou
Outside of the floral prints, there were small glimpses of the other trends that dominated the New York season.
The colorblocking
At Jasper Conran
At Jean-Pierre Braganza
At J.W. Anderson
At Jaeger London
At Margaret Howell
The peplums
At Paul Costelloe
At Peter Jensen
At Osman
At Corrie Nielsen
The shorts
At Daks
At Erdem
But those pieces comprised only a small fraction of the whole story. And the story in London was one of neons. But there were no stepping back from the edge here as there had been in New York. No toning down of the brilliance. Maybe it was in that way that London retained some of the feel of those seasons past. At times, the colors felt too strong, yet you couldn't help but stare in amazement.
At Maria Grachvogel
At Nicole Farhi
At Ann-Sofie Back Atelje
At Matthew Williamson
At Jaeger London
At J.W. Anderson
At Paul Smith
Especially at the brilliant blues.
At Pringle of Scotland
At Burberry Prorsum
At David Koma
At Emilio de la Morena
At Paul Smith
It's a color used as a backdrop so often that you can forget its power.
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