The Leftovers: London Fashion Week FW12

For the first season in quite some time, the story in London closely followed the one that was told on the New York runways. The Lady and all of her barely hidden darkness and sensuality could be found everywhere. The touch of youthful rebellion that so often makes an appearance during the London season all but faded away.

At Todd Lynn

At Daks

At Emilia Wickstead

At Marios Schwab

At Nicole Farhi

At McQ

Peplums still made the occasional appearance.

At Antonio Berardi

At Burberry Prorsum

At David Koma

The fabrics of choice were still those of the deeper, heavier variety. The leathers, the velvets, and the furs.

At Richard Nicoll

At Belstaff

At Todd Lynn

At Paul Smith

At Marios Schwab

At Burberry Prorsum

And the dominant colors were still of the red wine variety.

At Emilia Wickstead

At McQ

At Mother of Pearl

At Pringle of Scotland

At Paul Smith

The somewhat off message blanket coats that littered the New York shows also appeared across the Atlantic in every iteration from the vague suggestion to the literal interpretation.

At Pringle of Scotland

At Thomas Tait

At Mulberry

At Daks

At Zoe Jordan

Yet for all of that falling in step and toeing the line, London was, as always, full of the prints and patterns that the houses that show there handle so deftly. 

At Erdem

At Issa

At Peter Pilotto

At Matthew Williamson

At Holly Fulton

At Jonathan Saunders

At House of Holland

So maybe the youthful rebellion didn’t completely vanish.


Photos via, via 

The Leftovers: New York Fashion Week FW12

In New York, the narrative of the season was dominated by one figure. The Lady, at least the one that features prominently in western history and literature, never fades too far from view in the world of fashion. Even though the elements that define her look shift as one moves from decade to decade, she is often recognizable at first sight. In past seasons, her influence has ranged from direct copies of any one of her many incarnations to the simple suggestion of her presence in the choice of silhouette. Whenever she returns to the height of relevance, it is with an almost obsessive fervor. She looks, smells, and feels of wealth but rarely ever speaks of it, and for many in the industry that makes her all the more intriguing.

Considering the shadow she cast over the pre-Fall collections, I wasn’t surprised to see her appear all over the runways and presentation spaces of New York this season. As is often the case when she appears, she seemed to be hiding something, something that was trying to bubble to the surface. The shapes were tighter. The gloves extended past her elbows. Leather ornamented her shift dresses. A dark sensuality hung around whenever she entered the room.

At Z Spoke by Zac Posen

At Diane von Furstenberg

At Milly

At Thakoon

At Chadwick Bell

At Jason Wu

At Michael Kors

At Narciso Rodriguez

That barely contained darkness penetrated all corners. A hard edge could be seen in the deep, wine tones that dominated the color story.

At Peter Som

At Z Spoke by Zac Posen

At Tory Burch

At Rodarte

At Reed Krakoff

At 3.1 Phillip Lim

At Elizabeth and James

And it revealed itself again in the use of fabrics like leather, brocade, and velvet, which seem to absorb all of the light around them.

At Derek Lam

At Richard Chai Love

At Monique Lhuillier

At RAD by Rad Hourani

At DKNY

At Doo.Ri

At Chado Ralph Rucci

At Ralph Lauren

At Marc Jacobs

At Oscar de la Renta

At Proenza Schouler

At Rebecca Taylor

At Rachel Zoe

In its role as the marker of a lady of a certain period, the peplum continued to crop up all over New York. Its prevalence waned, but it refused to be done with us just yet.

At Elizabeth and James

At 10 Crosby Derek Lam

At 3.1 Phillip Lim

At Preen

At Wes Gordon

At Ports 1961

There was an outlying trend that defied this narrative. Blankets of all sorts doubled as coats. Belted or wrapped or given just enough shape to make one almost forget their origin.

At Vera Wang

At Norma Kamali

At VPL

At Ohne Titel

At Mara Hoffman

At Y-3

At Rag & Bone

They told a softer, cozier story in a season that was anything but.

Photos via